First edition of The Last Nudes by David Smith. First impression. Medium format hardback in fine condition.
About
Beginning in the late twenties, and throughout his life, Smith used the figure as a touchstone from which drawings, paintings and sculpture drew resonant meaning. In the case of the Last Nudes, the starting point was photographs taken by Smith of models in everyday poses: standing in a hallway, reading a book, casually sitting in a chair, their nudity a disjunctive confrontation. As Candida Smith points out, “The mediation of the photographic technique created an abstracted space between artist and model.”
The physical potency of the photographs was transformed by Smith through his dynamically gestural painting process into these formally powerful, sexually charged paintings. Due to their shocking anti-puritanical content, as well as the difficulty in integrating them with the heroically “pure” concept of “Abstract Expressionism,” the Nudes have been censoriously omitted from most discussion of Smith’s work. Ranging from lyrically rendered drawing to explosively gestural abstraction, these paintings exemplify Smith’s refusal to allow for a delineation between painting and sculpture or between abstract and figurative work.
